Discovering Denton Welch

Category: Blog (Page 2 of 2)

Denton selfies

My books arrived! I’m very excited to read Denton’s journals and short stories, but having just finished (and wept over) Denton’s letters to Eric Oliver, I decided to step out of Denton’s world for a while and view him from a biographical point of view. 

Denton’s younger self portrait (the one on the left) seems to be the go-to for illustrations in articles and online materials, probably because it’s the one that hangs in the National Gallery. Behind his Harry Potter glasses, Denton looks querulous, dissatisfied, unfriendly. His nose is pinched, his mouse is pursed. I wouldn’t be drawn to someone who seems so ready to find fault with the world. However, it’s totally understandable that Denton would look grumpy – he’s about 25 here, and still in a lot of residual pain from his injuries. 

I much prefer the slightly older self portrait with the pipe (middle). He’s about 28 here, and he still looks like he’s giving us the side eye, but his mouth looks like it could be juuuust on the verge of turning upwards. He looks relaxed. And he’s lowered his hairline – perhaps he didn’t care for his high forehead. Denton painted this happier-looking self portrait the year that he met Eric Oliver. Coincidence…?

I’ve read the introductory material and the first chapter of Denton Welch – Writer and Artist by James Methuen-Campbell. The first chapter covers Denton’s childhood until the age of 14, when he’s sent to Repton school. His childhood was unconventional, to say the least – Denton travelled extensively with his mother, and didn’t learn to read until he was nine. It’s unthinkable now, but must have contributed to the imagination and adult worldview that evidently shaped his teenage experiences.

It’s odd reading about Denton in the third person now, recognising incidents that he describes or refers to in his books, but hearing about it from someone else. There’s going to be even more of that heading into the ‘Repton and China’ chapter that comes next, so I’m excited for new insights!

First impressions

I started my Denton discovery with Maiden Voyage. In terms of publication order, this was correct. Had I wanted to read his books in chronological order it would have been:

  • In Youth is Pleasure – a summer holiday spent with his father and brothers in 1930
  • Maiden Voyage – the following year, Denton ran away rather than return to boarding school, resulting in a year spent in China with his father
  • I Left My Grandfather’s House – a novella recounting Denton’s experiences during a walking tour during the summer of 1933
  • A Voice Through A Cloud –  considered to be his masterpiece, this is Denton’s account of his recovery in hospital and nursing homes, having been seriously injured when he was knocked off his bicycle by a careless driver in 1935.

They’re all self-contained books, so it doesn’t really matter in which order they’re read, but in retrospect, I wish I’d read them chronologically. They chart the progression in a few short years of an independent (but emotionally fragile) teenager to a young man who is physically dependent on others – and still emotionally fragile. 

His teenage books recount adventures that would be unthinkable to many teenagers today, but didn’t seem anything unusual to Denton or his family in the 1930’s: nights spent wandering an unfamiliar city alone, chatting to strangers; entire days of absence from his family whilst on holiday without explanation, uncontactable and alone, breaking into deserted cottages and chatting to (or spying on) strangers; checking into hotels and guest houses without anyone seeming to think it odd that such a young person was travelling alone and stealthily calling in Social Services. 

When he returned to the bosom of his family, Denton was generally greeted with a vague “oh, there you are”, or mild irritation that he was late for dinner. Most modern teenagers would have quite a different greeting: “where have you been?!” “we’ve been so worried!” “why didn’t you tell us where you were going?!”. Of course, most modern teenagers would have a mobile phone welded to their hand, and therefore no excuse for going AWOL, but I still marvel at a world when parents didn’t need to worry about their children in the way they do now.

For this reason, I don’t agree with Richard Hell’s comment that “nothing much happens in his books” – perhaps this is true of A Voice Through A Cloud, but plenty happens in the others. Not in an action-packed, Dan Brown two-pages-until-the-next-cliffhanger way, but in recounting solo adventures that even the Famous Five might feel a little doubtful about getting into. Of course, we don’t know how many of his adventures are fiction and which really happened. I’m looking forward to reading his journals and comparing accounts.

My Maiden Voyage with Denton

David Sedaris introduced me to Denton Welch on 10 May 2020. Asked in a Guardian interview which book he was ashamed not to have read, David replied “anything by Denton Welch”. 

In my normal busy life, I’d clock the name with interest, then forget it within the hour. Being in lockdown and furloughed from work, however, I got straight onto Wikipedia and settled down with a cup of tea to find out which author my favourite essayist wanted to read. 

Ten minutes later, I opened “Maiden Voyage” on my Kindle. A week later, I added “In Youth is Pleasure” and “A Voice Through a Cloud”. A week later, by now thoroughly obsessed, I added Denton’s letters to Eric Oliver to my Kindle and ordered three REAL books! I browsed furtively for expensive first editions (maybe even a SIGNED copy!), all the while knowing that I am the sort of passionate admirer that Denton found tiresome and embarrassing…

Readers, I’m female, and Denton could be quite the misogynist. And I would want to ask him question after question. Above all, I would want to muse on whether Denton would have achieved the same immortal reverence afforded to peers such as Evelyn Waugh, E.M. Forster and Noel Coward if he hadn’t been injured so badly at the age 20. If his remaining 13 years hadn’t been full of suffering and self-doubt. If he’d lived a long, full and happy life, continuing to record his daily experiences in such vivid and evocative detail that his devoted readership came to rival that of JK Rowling.

We’ll never know, of course, so there’s no point spending too much time wondering. But those of us who love Denton Welch’s work know that we’re members of a select group. Our lives have been enriched by an under-rated genius. 

If you’ve found this blog, you’re probably as interested in Denton as I am. Maybe there’s something about his work that you’re bursting to discuss; maybe you’ve found a rare Denton resource to share; maybe you’re a proud Denton Welch family member. I’ll be charting my daily picnics with Denton (that man loved a picnic!), building to a comprehensive resource for those who love his work.

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